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Digital Fine Art Reproduction & The HP Artist Solution for Nikon

 
 

Introduction

Photograph of the HP Designjet Z3200 Photo printer
HP Designjet Z3200 Photo Printer
This document describes conceptual and operational differences between “traditional” methods of fine art reproduction, and a new system of software and hardware that may be used in this work. The latter is called the “the HP Artist Solution for Nikon”; the system was developed through relationships between HP and Nikon and is incorporated into the StudioPrint RIP by Ergosoft.

This paper will describe issues and challenges involved using older methods of fine art reproduction, both technical and cost-related. Conversely, it will provide a review of The HP Artist Solution for Nikon in terms of its configuration, practical use, and resulting benefits to the end-user and artist.

Background and Challenges

Including present times, one of several options may be used to create an accurate reproduction of an original piece of art. The discussion here will be limited photography-based techniques and using a pigment-based inkjet printer for final production.

Many individuals and organizations photograph artwork using a traditional “copy setup”. This is illustrated below:

Illustration of a traditional "copy setup" photographes use, showing two lights and subject

Although this appears simple in design, it requires significant skill on the part of the technician or photographer. Some of the issues involved include:

  • Even illumination of the artwork (particularly challenging for large pieces).
  • Constructing correct geometry of lights, camera, and artwork during the session.
  • If desired, capturing and rendering textures or brush strokes.
  • Achieving correct color balance/white balance in the captured image.
  • Accurate capture of the colors present in the artwork.
  • In many cases, color correction, either globally or selectively, using an image editor such as Photoshop.
  • Maintaining a correctly calibrated and profiled printer that can handle multiple media types.
  • Accurate printing of the colors, densities, etc. in the reproduction.
  • If necessary, edit the image to render visible desired textures, etc.
  • Achieving accurate “print on demand” – i.e., subsequent prints conform to the reference print kept on file.

Mastering these requirements is a significant challenge – and a costly one. Not so much in terms of direct materials cost, but time and skilled labor. Also, the rate of production is inevitably limited by the need to constantly check status of variables, and if necessary, correct them.

These systems currently in use do not permit highly accurate control of their components as a group: In other words, they are not adapted to work together.

Examples include, but are not limited to, the unique characteristics of the RAW image capture, the ICC profile for the display, and the ICC profile for the printer/paper combination in use. Each time the image moves to the next stage of production the ICC profile in use must be “translated” – and this happens several times in each cycle. In theory, at least, there is some loss of image quality with each translation.

Solutions

Now, we have a new offering from HP and its partners – The HP Artist Solution for Nikon is a purpose-built, integrated tool for digital capture, correction, editing, and reproduction of fine art. It is built into the Ergosoft StudioPrint RIP. The integration of system components, such as cameras, lighting, and printers, greatly reduces time required to produce high-quality, accurate work.

And, because it is coupled with the HP Designjet Z3200 Printer, these prints can be created on dozens of types of inkjet media.

The The HP Artist Solution for Nikon software performs automatic white balancing, corrects uniformity of illumination, performs color correction, and generates a TIFF file with an embedded ICC profile that is specific to that individual piece of art.

The HP Artist Solution for Nikon enables greatly increased color accuracy, simplified and shortened workflow, and highly accurate and detailed print reproductions of artwork created using a variety of media – watercolor, acrylic, oil, drawings, and more. It delivers this level of automation using an accurate, up-to-date characterization of every device involved in the workflow. The artwork is characterized using spectral measurements taken with a spectrophotometer, such as the Eye-One device, or the PhotoResearch PR-650.
 
 

Sidebar: The StudioPrint RIP


StudioPrint is a fully-featured RIP, or Raster Image Processor. Made by Ergosoft, it is one of the leading products in its market category. It is a professional-level tool for controlling printing workflow and quality.


The StudioPrint RIP provides:

  • A special edition of the StudioPrint RIP provides seamless integration with features of the The HP Artist Solution for Nikon Solution, including characterization of lighting, artwork, white board, and custom swatchbooks.
  • Comprehensive printer controls, including linearization, profile creation and management, ink limits/controls, and more.
  • Support of ICC 2 and ICC 4 profiles, device link profiles, and CxF.
  • Job management, tiling, nesting, and the like.
  • Real-time drag and drop image
 


Two Stages


Photograph of the HP Designjet Z3200 Photo printer 
HP Designjet Z3200 Photo Printer
 
Fine art reproduction using the The HP Artist Solution for Nikon software is accomplished in two stages. Stage One is accurate characterization of all the workflow devices – lights, camera, and printer. This is important in creating color-correct fine art reproductions.

The second stage involves image capture, processing, and printing. The first dialogue box of the The HP Artist Solution for Nikon application shows the step-by-step progression driven by the software in Stage One.

Next, set up the lighting and support for the artwork at the desired distance and angle. The Eye-One, for example, handles this task easily. It is connected via USB to the computer running StudioPrint and The HP Artist Solution for Nikon.

Screen capture of The HP Artist Solution for Nikon software showing configuration and operation options


 

Sidebar: The Nikon D3 Camera


The Nikon D3 is a 12+ megapixel camera incorporating a full-frame digital sensor.


There are some important technical improvements incorporated into this camera:

  • The 12+ megapixel digital sensor has a “pixel pitch” of 8.46 microns. (the larger this value, the better the signal/noise ratio, and the lower the noise in the image.)
  • Larger pixel pitch also tends to reduce diffraction errors, aperture settings of f/8-f/11 are quite clean in these cameras. At present (Nov 08), I believe this is the best among professional DSLRs.*
  • The camera has been improved to capture images in 14-bit RAW format. The majority of DSLRs use only 12-bit mode.
  • 14-bit mode provides over 16,000 tone separations per color channel, vs other cameras’ 12-bit capture; they produce only 4,096 tones/channel. Overall image quality is improved, and details are enhanced in shadow/dark areas of an image.
  • Nikon have also released a new 105mm macro lens. This lens is quite sharp, with no discernible drop off in luminance or image quality in the corners.


* see Roger Clark’s essays on this subject (clarkvision.com)
 
The camera’s performance in responding to light and color is characterized. This measurement is performed by the software and camera manufacturers, and is shown in the dialogue box and used in the image processor. At present, the Nikon D3, using the 105mm Macro VR lens is the camera of choice.

Note: I have recently tried switching from strobe lighting to continuous lighting for fine art reproduction. (see figure below, and Nikon note at bottom) The Solux lighting products (www.solux.net) are well suited to the job – they are relatively inexpensive, the CRI is about 98, and bulbs are available in a range of color temperatures, including D50. Heat is comparatively low, and they are light and portable - better for location work.

Next, a series of measurements of the artwork and the white reference/backboard are created using the spectrophotometer. In the case of the artwork, multiple measurements (up to 50) in a rough grid pattern are required; with practice this is a task that takes only a few minutes. Lighting is measured in a similar fashion, but the ambient light attachment is used, and only one or two measurements are necessary.

Stage Two involves the capture, processing, and printing of the selected artwork.

 

Sidebar: The HP Designjet Z3200 Printer


The HP Designjet Z3200 Printer is the latest in HP’s lineup of Dreamcolor-enabled technology. This machine incorporates a number of significant improvements, including a new Chromatic Red ink, improved color gamut, improved paper handling, extended manual controls, expanded media profiling capability, automated print head maintenance, and more.

It is available in 24” and 44” formats, in Postscript and non-Poscript versions. This is a 12-ink printer, capable of printing on virtually any inkjet-capable media available. HP currently has over 50 media types available for this printer, including HP/Hahnemuhle fine art papers.

It has a built-in iOne spectrophotometer, and when driven by HP Color Management software or StudioPrint RIP, is capable of pushbutton printer calibration and on-the-fly creation of custom ICC profiles for both HP and non-HP media.

This is one of the premier fine-art and photographic printers available, capable of producing exhibition-quality prints with archival lifespan of up to 200 years. For more information go to www.hp.com.

 
The artwork does not need to be evenly illuminated or color-corrected. Issues like these are automatically addressed by the The HP Artist Solution for Nikon software during processing. The camera should be focused, of course, and the exposure should be set to capture the full dynamic range of the artwork. An evenly distributed histogram, without evidence of clipping, is the benchmark for this.

The geometry of the studio and lighting are left unchanged from the measurement phase. An image is captured of the artwork and then the white backboard. As always in studio photography, lighting should not splash back into the camera lens, and creation of specular highlights should be avoided. The image of the backboard helps the system evaluate and correct lighting and color.

The measurement information and the images are loaded into The HP Artist Solution for Nikon software. The application will generate a high-quality TIFF file, usually in less than a minute.

The image has an ICC profile specific to its characteristics, and the shooting conditions, attached to it. It is now ready to be loaded into an image editor such as Photoshop for printing, or it can be printed directly from the Ergosoft RIP.

The last link in the chain is the printer. This system employs the HP Designjet Z3200, which is a wide-format pigment-based inkjet printer. The Z3200 incorporates an on-board spectrophotometer, which is used to calibrate/linearize the printer, and to create custom ICC profiles in real time for the media in use.


Benefits

Examples of the benefits:

  • The components - from capture, to processing, to printing, are completely integrated and work together in a way that is unmatched in this field.
  • RAW image files are used, maximizing image data available.
  • Workflow is smooth and intuitive; variables that might affect quality are very well controlled.
  • Accurate colors are captured and incorporated into the final image file and print.
  • Color transformations are kept to a minimum, far below other systems.
  • Time required for lighting setup is minimized.
  • Lighting positioning is not critical to success – and creating custom setups, which maximize physical details of the artwork, is easily accomplished.
  • Corrections are automated for a number of potential variables, including but not limited to uneven illumination and color.
  • An ICC profile specific to the image is created each time the image is processed in The HP Artist Solution for Nikon.
  • Once The HP Artist Solution for Nikon generates a printable image file, time required to edit in Photoshop (or another editor) is eliminated or minimized.
  • Printing to the HP Designjet Z3200 provides comprehensive color controls, including creation of ICC profiles for each media selected.
  • The level of technical training and skill required for operating the system is significantly less than older methods.
  • The capture/processing side of the system is quite portable, supporting capture of artwork offsite. This is particularly true of lighting equipment required.
  • The final printed reproduction is remarkable in its fidelity to the original - in color, density, and details.
  • Cost savings, primarily in the form of skilled labor.

Cost Savings

Cost savings can be significant. Keeping in mind that facility, personnel, and operating costs vary from place to place, I created a spreadsheet template that allows a rough comparison of older reproduction methods to The HP Artist Solution for Nikon. Changing selected variables within reasonable limits still results in cost savings of several hundred dollars/project.

Viewed another way:

Even if the figures are overstated by half, the benefits are still significant.

Conclusion

The The HP Artist Solution for Nikon Software offers a truly unique alternative to traditional methods of fine art reproduction. It offers end-to-end production integration, color and quality controls, and automation of time-consuming elements of the production process. The printed result is remarkable in its fidelity to the original in color, details, and density.

Examples, References and resources

Digital Photography Workflow: Fine Art Photography Michael Ezra http://photo.net/learn/digital-photography-workflow/overview/fine-art-photography/#archiving

DXO Labs (see www.dxomark.com)

Ergosoft/StudioPrint RIP – www.ergosoftus.com

Hewlett-Packard Company – www.hp.com/go/z

IMAGEMUSE.ORG

Mastering Digital Printing, 2ND REVISION Harald Johnson – www.dpandi.com

Nikon – www.nikonusa.com

Roger Clark/ www.clarkvision.com

UPDIG.ORG Numerous articles and papers

UNDERSTANDING COLOR MANAGEMENT Abhay Sharma

Important Addendum to The HP Artist Solution for Nikon Setup:

Keep in mind that there are cost-effective alternatives to the lighting setups discussed in the The HP Artist Solution for Nikon White Paper (PDF). The new Nikon SB900 Speed light is a versatile tool, with both fully automatic and manual controls. An image of the DFA setup using Nikon Speedlights is provided below, photograph courtesy of Nikon/Hirotoshi Ito. For more information on the SB-900 use this link:


 Photograph of a digital fine art setup using Nikon Speedlights

This document, Digital Fine Art Reproduction & The The HP Artist Solution for Nikon Software, is © 2008, David Saffir, Santa Clarita, CA., reprinted with permission from David Saffir.All rights reserved. For article licensing or other information go to www.davidsaffir.com